A month without shooting
Not tired, just unsure, and doubtful
I didn’t take a single photo in February.
Not because I was tired, or no time.
But because I started to doubt myself.
It’s a strange feeling —
to suddenly not like what you see in your own work.
to look at recent photos and feel… empty.
Or worse, I feel that they’re not good.
And then I went back —
back to the photos I took when I first fell in love with photography.
photos I didn’t think much of at the time.
photos I almost forgot.
And somehow, they started to make sense. I feel they had meanings again.
Which made me question —
What changed?

I stopped shooting.
not as a break but a decision.
because I knew something inside me wasn’t quiet.
and if the mind isn’t quiet,
the camera becomes noisy.
From black and white to colour
A few things changed in February.
I started to see color differently.
For a long time, I only trusted black and white.
It felt more “serious”, more “correct”.
Less distraction, more essence.
But recently, color began to feel… honest.
Not loud. Not decorative. Just present.
I found myself drawn to the work of Saul Leiter — the way colour can be soft, hidden, almost accidental.
and for the first time,
I didn’t feel the need to remove colour to make a photo “better”.

Begin to question Instagram “likes"
The second shift was —
I started to question Instagram.
Why do the photos I believe in get no likes?
Does that mean they’re not good?
Of course not.
But the system makes you think that way.
Photography becomes performance.
I don’t want that.
So I started to pull back — less posting, less checking.
Instead, I want more
- writing
- thinking
- looking inward
I want to focus on my process instead of gaining likes.

Film vs Digital
The third thing I realized was about film and digital.
I’ve been shooting a lot of film.
But film is expensive, and more importantly,
It’s limited.
Not every frame deserves to be “the one”.
Not every moment is the decisive moment.
And I think I was expecting too much from film.
So I started to rethink it —
Digital as practice and film as intention.
Shoot digital more — to see, to fail, to try again.
And when I pick up film, I will take every shot seriously.
Not chasing perfection, but presence.

Starting March, I started to shoot again.
I shoot digital more and film less.
I feel I am ready to shoot again.