I’m a full-time paralegal working in downtown Toronto.

My most days begin and end on the train, moving with the tide of commuters.

Somewhere along the way, photography found me—or maybe I found a way to pause inside the rush.

I carry a camera everywhere. I stop, linger, observe.

In the beginning, I learned by reading Henri Cartier-Bresson’s Decisive Moment; Ansel Adams—400 Photographs, The Camera, and The Negative.

Those books shaped the way I see light, structure, and patience.

Over time, my references expanded—Cartier-Bresson, Ansel Adams, Werner Bischof, Herbert List, Chim, Robert Capa, Gerda Taro, André Kertész, Jean Gaumy, Martin Parr, Alex Webb, Marc Riboud, Jacob Aue Sobol, Lola Álvarez Bravo, Chris Steele-Perkins, and many more still to come.

My style is influenced: quiet, curious, imperfect, human.

projects

I commute every day, I’m sensitive to the moods and the silent stories of working people.

I photograph them because I am one of them.

Life on the Commute is an ongoing project about the weight, rhythm, and resilience of daily travel in Toronto.

My second ongoing project, On Reading Again, is inspired by André Kertész’s On Reading.

In this digital world ruled by infinity pools, we love screens more than paper.

As someone born in the ’80s, I often miss the slower world before smartphones—a time with fewer conveniences but, somehow, more joy.

I photograph the moment when someone chooses a book instead of a screen: on the train, in cafés, on a bench, in between places.

beyond photography

I make coffee - my favourite coffee is Ethiopia Yirgacheffe.

I run for 2026 - Toronto Waterfront Marathon.

I read.

I think.

And I have a cat, named Todd.